acknowledgements (1)
my advisor Neil Gershenfeld.
my readers John Harbison and Terrence Sejnowski.
my collaborators Chuck Cooper, Christopher Douglas, Tuomas Lukka and Edward Boyden.
my helpful early colleagues Eric Metois, Josh Smith, and Vadim Gerasimov.
my patient violinists Julia Ogrydziak, Sandy Choi, Teresa Marrin, Romy Shioda, and Diana Young.
my editors Mary Farbood, Tristan Jehan, Diana Young.