References

1

Michael A. Casey. Understanding musical sound with forward models and physical models. Connection Science, 6(2&3):355-371, 1994.

2

John M. Grey. Multidimensional perceptual scaling of musical timbres. Journal of the Acoustical Society of America, 61(5):1270-1277, 1976.

3

Julius O. Smith III. Physical modeling using digital waveguides. Computer Music Journal, 16:74-87, 1992.

4

Michael Jordan and David Rumelhart. Forward models: Supervised learning with a distal teacher. Cognitive Science, 16, 1992.

5

Michael Lee and David Wessel. Connectionist models for real-time control of synthesis and compositional algorithms. Proceedings of the International Computer Music Conferece, september 1992.

6

Jean-Claude Risset and Max. V. Matthews. Analysis of musical instrument tones. Physics Today, 22(2), 1969.

7

James Tenney. The physical correlates of timbre. Gravesaner Blaetter, 26:106-109, 1965.

8

Hermann Ludwig Ferdinand von Helmholtz. On the Sensations of Tone as a Physiological Basis for the Theory of Music. Dover, New York, NY, 1954.