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[Bon98] Bert Bongers. An Interview with Sensorband. Computer Music Journal, 1998, 22(1):13-24
[Cha97] Joel Chadabe. Electric Sound - The Past and Promise of Electronic Music. Prentice Hall, 1997.
[Cho73] John M. Chowning. The Synthesis of Comples Audio spectra by Means of Frequency Modulation. Journal of the audio Engineering Society 21: 561-534. Reprinted in C. Roads and J. Strawn editions 1985 "Foundations of Computer Music". Cambridge, Massachusetts: MIT Press.
[Han89] Stephan Handel. Listening. MIT press, Cambridge, Massachusetts, 1989.
[Inf96] Infusion Systems. The I-CUBE System Manual. Infusion Systems Ltd., 1996.
[Int97] Interlink Electronics. Force Sensing Resistors (FSR) Integration Guide. Interlink Electronics Inc., 1997.
[Kre90] V. Krefeld. The Hand in the Web: An interview with Michel Waisvisz. Computer Music Journal, 1990, 14(2):28-33
[LT93] Paul D. Lehrman and Tim Tully. MIDI for the Professional. Amsco Publications, 1993, (selected chapters).
[MP97] Teresa Anne Marrin and Joseph A. Paradiso. The Digital Baton: a Versatile Performance Instrument. Proc. of International Computer Music Conference, 1997 : 313-316.
[Mac92] Tod Machover. Hyperinstruments: a Progress Report. Available from the Media Laboratory of the Massachusetts Institute of Technology, 1992.
[Mar96] Teresa Anne Marrin. Toward an Understanding of Musical Gesture: Mapping Expressive Intention with the Digital Baton. S.M. Thesis, MIT Media Laboratory, 1996.
[Moo65] Robert A. Moog. Voltage Controlled Electronic Music Modules. Journal of the Audio Engineering Society, July 1965 XIII(3):200.
[Cla97] Clavia DMI AB. Nord Lead 2 Virtual Analog Owner's Manual, software version 1.x. Clavia DMI AB, 1997.
[Ort97] Margaret Orth. Interface to Architecture: Integrating Technology into the Environment in the Brain Opera. Designing of Interactive Systems 1997, ACM Conference.
[Opc95] Opcode. MAX Reference Manual. Opcode Systems Inc, 1995.
[Par94] Joseph A. Paradiso. The Brain Opera Technical Systems. Brain Opera web site http://brainop.media.mit.edu/Archive/Paradiso/BO_Tech_Writeup.html.
[Par97] Joseph A. Paradiso. New Ways to Play, Electronic Music Interfaces. IEEE Spectrum, Dec 1997.
[RM90] D. Rubine, P. McAvinney. Programmable finger tracking instrument controllers. Computer Music Journal, 1990, 14(1):26-41
[Rya91] Joel Ryan. Some remarks on musical instrument design at STEIM. Contemporary Music Review, 1991, 6(1):3-17
[SM96] Mort Subotnick and Tod Machover. Interview with Mort Subotnick. Contemporary Music Review, 1996, 3(2):3-11
[SOS97] Hideyuki Sawada, Naoyuki Onoe and Hashimoto Shuji. Sounds in Hand - A Sound Modifier Using Datagloves and Twiddle Interface. Proc. of International Computer Music Conference, 1997 : 309-312.
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[WebVideo1] Seum-Lim Gan and Gil Weinberg. Table of Squeezables
Demonstration. Video at web site
http://alumni.media.mit.edu/~gan/Gan/Education/MIT/MediaLab/Theses/MS/Video/squeeze.html.
[WebVideo2] Seum-Lim Gan. The Digital Maracas. Video at web site
http://alumni.media.mit.edu/~gan/Gan/Education/MIT/MediaLab/Theses/MS/Video/maracas.html.
[WebVideo3] Cheng Hann Gan. Making Music in the Musical Play Pen. Video
at web site
http://alumni.media.mit.edu/~gan/Gan/Education/MIT/MediaLab/Theses/MS/Video/playpen.html.
[Wei98] Gil Weinberg. Squeezadelic. Opera of the Future, MIT Media Laboratory, 1998.